The Process
The Bunker Theatre
11th January - 1st February 2020
Jo’s winning at life. Her business is going brilliantly. She’s Cost Positive. She’s even on the telly. She’s a Deaf woman turning the hearing world on its head. Until the system turns on her.
A malevolent bureaucracy, the rise of alt-right politics, and the human lives caught in the middle all ask: what happens if you believe ‘it’ll never happen to me’?
The Process is told in BSL and spoken English. Every show will be performed in a relaxed environment, with relaxed performances on 21 and 28 January 2020, captioned performances available on selected dates through The Difference Engine, and an audio-described performance on 30th January.
Whatever your language, you're all part of The Process.




Sarah Bedi writer & director
Mayou Trikerioti designer
William Reynolds lighting & video designer
Oliver Vibrans sound designer
Brian Duffy assistant director & BSL consultant
Alison Pottinger stage manager
Sophie Woolley story consultant
Catherine Bailey & Emma Luffingham dramaturgs
Catherine Bailey, Ralph Bogard, George Eggay, William Grint, Erin Hutching & Jean St Clair cast
Matt Maltby producer
Deepa Shastri associate producer
Jessica Bailey social media manager
Paul Biver marketing & rehearsal cinematography
Catherine Bailey, Sarah Bedi & Emma Luffingham BAZ Productions co-artistic directors
Visit the Bunker Website for more information.
WHAT THE PRESS SAID:
The Stage - ‘cleverly constructed, full of empathy, anger, and pleasingly dark humour’
WhatsOnStage – ‘Sarah Bedi's show brings the ugliness of this dark philosophy silently screaming into the light.’
The Spy in the Stalls - ‘Sarah Bedi’s powerful The Process hits its targets again and again, leaves the audience on the edge of their seats, and may even send them out weeping … a haunting wake-up call to a society already trapped in a nightmare of its own creation’
The Play’s the Thing - ‘there are some truly edge-of-chair moments, those that great theatre is made of that no other medium would achieve’
Ought to be Clowns - ‘bold and striking, powerful and compelling’
The Upcoming - ‘No one has an excuse to not see this performance.’